On Valentine’s Day in Lyon, Street Artist Georges de Loup Sees Only Love

A Tour of Lyon Through the Paintings of Georges de Loup


Street artist Georges de Loup popped up on the Lyon graffiti in 2017, but his journey began long before. His paintings evoke the pain and joy of love, in a story that is as personal as it is universal. When love takes over the city on Valentine’s Day, Georges de Loup is there to capture it.


by Jenna Careri

The artist known as Georges de Loup wears a leather jacket and Timberland boots. He is short, bearded, and well-spoken. Most importantly, he is a ghost.

Georges de Loup is just one of the pen names this street artist uses to paint his way through Lyon. This particular pen name began a year ago, and has been spraying love across the city ever since. On this afternoon just before Valentine’s Day, he’s preparing for the most important day of the year.


Valentine’s Day Special: Georges de Loup is offering to paint a personalized piece for someone you love. If you would like him to do a painting on their street or on their way to work, contact him on Instagram @georges_de_loup.


Georges de Loup's "Spraying Love" painting in Croix-Rousse.

On Rue d’Austerlitz in Croix-Rousse, Georges de Loup explains his mission: spraying love, and only love.

Spraying Hearts in the Streets of Lyon

Georges de Loup covers the city streets in hearts, from Croix-Rousse and Perrache to Guillotière and Jean Macé, sending messages of love and suffering to the people of Lyon. Chains, knives, petals and blood all speak to the story of this artist, and the character he uses to heal his heart.

“It’s like a character to heal myself,” said the artist, drinking a Coke in a crowded bar on Saturday afternoon. “That’s what Georges de Loup is, strictly personal analyses about love, and the sufferings or great joys.”

The paintings of Georges de Loup can be found in alleyways and on busy street corners, stretching across entire walls or small window shutters. His trademark glossy heart holds vigil over words like “Sublime in all,” “Feel you like the rope around my neck,” and “Disoriented.”

It’s an interpretation that brings out the darkest torments of love while at the same time deciding not to give up. Georges de Loup is at his core a romantic, and Valentine’s Day is one of his favorite days of the year.

“It’s like a heart fest,” the artist said. “It’s an occasion for people to be romantic. Really, the problem between people, men and women, is they cannot express their feelings truly. It’s very complicated sometimes when it could be very, very simple.”

But he also knows the double-edged sword that love can be, and his paintings pay as much homage to that as to its beauty.

“The dark side of it is on Valentine’s Day a lot of people are very sad,” he said.

Georges de Loup, Lyon-born and raised

The Georges de Loup persona offers the artist a way to explore these contradicting feelings without the influence of his other pen names, which each have their own personalities. At the time of its creation, it was a way for him to let go of the pain of the past.

“I thought it was like a revenge,” he said. “It was just a way to rebuild my ego, to really run away from depressive and dangerous thoughts.”

But now it’s different.

“Now it’s like I became Georges de Loup,” he said. “I like to leave my mark on my environment, to communicate with my friends and lover and other artists.”

The name Georges de Loup, which sounds like the metro station Gorge de Loup, is a private joke for people who know Lyon, where the artist grew up. He started painting in the late 80s, when graffiti was becoming popular around the world.

“As long as I can remember I always had something in my hand to draw,” the artist said. “When graffiti started to spread in society, it’s kind of the art that really talked to me. It felt like my way to express myself.”

The "Encore" heart painting by Georges de Loup at Rue Bouteille in the 1st arrondissement of Lyon.

Georges de Loup is just one of the pen names the artist paints under. This pen name focuses only on love.

He can paint up to eight pieces in one night, spending between five and 45 minutes on each one. He doesn’t paint every week, though, and usually only does one or two paintings when he does. He lets his inspiration come naturally.

“I do some preparations at home, but mostly it’s kind of like a punchline hitting my mind, and the way you let it go or understand it is to paint it, to put it on the wall,” he said. “It keeps me alive.”

He chooses places based on the goal of the specific piece, if he wants a lot of people to see it or if it’s meant for one person in particular.

Personal Reactions to Personal Paintings

Georges de Loup’s work spans all the emotions of love, both good and bad. People react to it based on how it relates to their own lives.

“Sometimes they only stay on the first level,” the artist said. “Some people don’t understand the dark side. And there are other people who understand this dark side on first sight.”

He doesn’t think it’s bad to see only the good side, though. People see what they know, he says.

“I think it only means that they cannot think about these things because they don’t live it,” he said. “They see the positive way of things. Hopefully, I think, because their heart is not yet broken.”

Graffiti-painting always has its dangers, but Georges de Loup is one of the artist’s more celebrated characters, attracting people of all ages with tattoo-like imagery and symbolism.

“In general people are enthusiastic. They don’t feel assaulted by hearts,” he said. “When I do traditional graffiti, when people see us doing painting they are mostly more aggressive, in a negative reaction to what we paint.”

Why Georges de Loup Paints

The artist sees street art as a way of conquering fear and reaching out to the world.

“I need to go painting,” he said. “I need to be there. I need people to see me. I need people to react.”

Creating Georges de Loup gave him a way to express his most intimate feelings, to see that reaction, without ever saying a word.

“Georges de Loup is sweet-hearted,” he said. “It’s an expression of feelings in the streetway. Maybe it’s the only way I know.”